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This viola came in because the neck had come unglued. Thankfully the glue had failed without any wood breaking, so it was a fairly easy fix. I also treated it to its first new soundpost since 2002 when it was made!

This violin came in for some general setup optimisations as the E string was sounding quite strident and the G quite muffled. As usual, the soundpost was the main culprit. I also adjusted the bridge and restrung it. It’s been quite a difficult violin to optimise due to how flat the top arch is, which tends to make it err towards shrillness, but hopefully it should be a lot more balanced now.

This violin came in for an insurance valuation, but the owner also asked if I could have a quick look over the setup. I spotted that the old bridge was quite warped, but much more worryingly the endpin way on the verge of pulling out, which would cause everything to fly off (maybe even whilst being played!)

The old endpin socket was very worn, so I ended up fitting a bushing before re-drilling a smaller hole (in the end I was able to re-use the old pin.) I also fitted a new bridge and soundpost, and the previous post was not ideally placed, and some new strings.

This viola came in for some general adjustments because the strings were coming loose and the bridge kept falling off! I adjusted the pegs and tweaked the bridge position as well as fitting new strings – a relatively quick job.

This cello had been knocked over whilst laid on it’s side, resulting in a crack along the side of the treble f-hole. Damage in this area can be very problematic because any repairs hairs to resist a lot of combined pressed from the bridge and soundpost, but reinforcement cleats can’t always be fitted without getting in the way of post fitting (hence why soundpost patches are sometimes needed.) Luckily in this case the break was confined to an area in front of the bridge, and it was possible to get in through the f-hole to close the crack and then to glue cleats. There was a bit of retouch to be done, and we also decided it was a good opportunity to address some general issues with the bridge, soundpost and nut.

This cello came in for a general checkup after having been unplayed for a while. I think the instrument had been stored somewhere damp at a point, because the strings were rather corroded. The setup was also a bit old fashioned, with incredibly high string heights at both bridge and nut which would be more suited to low tension gut strings. I ended up doing a partial fingerboard reshoot, lowering the bridge and nut and fitting a new soundpost, tailpiece and strings.

This violin needed some general optimisation. The old soundpost was too loose and the bridge was warped, so I fitted new ones as well as new strings, and tweaked the peg fit a little so it’s easier to tune. Hopefully it will make a world of difference!

This violin came in because the owner was finding it difficult to play in tune and double stop clearly. There were a few issues to correct; the bridge was a little twisted on its axis (though thankfully not warped), and the strings were unusually far apart. Also the string height at the next was more than it needed to be, meaning low first position notes were especially difficult to play. I also changed the strings, as the old ones had degraded to the point where the notes were false a lot of the time!

This cello came in for a new soundpost and some adjustments to the nut and bridge to get a comfortable string curve for the bow and easy string action up in 1st position. I also retouched some chips in the varnish around the edges and fitted a parchment patch on the bridge to stop the A string cutting in.

Last week was the week of bow rehairs, it turns out! 5 out of 6 of the bows I worked on. (They also required a good selection of other maintenance jobs, including three new eyelets, a new tip plate and a new lapping and thumb leather.)